No, for the record, I did NOT play “A Horse With No Name” on my latest Franorama 2.0 show. But it was, indeed, a hot one — in a heatwave of a week here in Connecticut. The projected high here was 96 degrees — in or out of the shade — with the humidity around 70 percent. And so, the show responded accordingly.
(And yes, Fresno friends, the heat is a lot different back here, as someone who knows. The mid-to-upper 90s out there are bearable. The low-to-mid-90s here are brutal when you throw in that humidity.)
Lots of songs about heat, and coping with it, on this latest show. But some detours as well:
- “In the City,” “In the City”: Decided to throw two totally different songs with the songs back-to-back in the opening set, which I tend to do sometimes. The first was by The Jam, of course. The second was by the Big Boys, one of Texas’ first hardcore bands — a group that really was too eclectic and experimental and way-before-their-time to be categorized so rigidly.
- Supporting the loosely based tribe: Laura Jane Grace fronts the pop-punk band Against Me!, and she, like your hostess, has gone through gender transition. (I don’t talk about this much on the radio because 1) Many listeners are friends who know my story already; and 2) It often has no bearing on what I play.) But her transition has been a little harder than mine in two regards: 1) She’s the singer for a nationally known band; and 2) She came out in Florida, that clusterfuck of radical right-wing gooberism and intolerance. Anyway, she released a free download online of her new single, “True Trans Soul Rebel,” so that triggered a set.
- “Mi Sento Felice”: The Box Tops in Italian! From 1969, set to “Cry Like a Baby.” The only American recording I’ve seen that includes it is Rhino’s Best of The Box Tops compilation LP in the early ’80s. And now you’ve heard it — or can if you click the link to the second hour …
- “Long Blond Hair”: Bookended my final set with two versions of this rockabilly classic (which I used to sing occasionally with New Haven rockabilly trio Gone Native in the ’90s). The opener was a 1997 version by an artsy, atmospheric Los Angeles combo called The Hyperions, from their album Howl. Saw them play this at the Continental Club in Austin when I was at South X Southwest in ’98. The latter was Johnny Powers’ 1957 original. (Powers was a Detroit native who was the only artist ever signed to both Sun and Motown, and the first male artist signed to Motown. And he did the foot stompin’ on The Supremes’ “Baby Love.”)
Okay, that’s enough. Off to have an iced tea. Please drop in live or in the archives. And tell your friends — we’ve got a thing going on. Ciao …