Posts Tagged ‘The Cobras’

Cygnus Radio playlist 7/19/13: The heat was hot and the ground was dry but the air was full of sound

July 20, 2013

sunFranorama 2.0 airs live every Friday from 10 a.m.-1 p.m. EDT on Cygnus Radio, and in semi-perpetuity in the archives. To access the archives, click here.

No, for the record, I did NOT play “A Horse With No Name” on my latest Franorama 2.0 show. But it was, indeed, a hot one — in a heatwave of a week here in Connecticut. The projected high here was 96 degrees — in or out of the shade — with the humidity around 70 percent. And so, the show responded accordingly.

(And yes, Fresno friends, the heat is a lot different back here, as someone who knows. The mid-to-upper 90s out there are bearable. The low-to-mid-90s here are brutal when you throw in that humidity.)

Lots of songs about heat, and coping with it, on this latest show. But some detours as well:

  • “In the City,” “In the City”: Decided to throw two totally different songs with the songs back-to-back in the opening set, which I tend to do sometimes. The first was by The Jam, of course. The second was by the Big Boys, one of Texas’ first hardcore bands — a group that really was too eclectic and experimental and way-before-their-time to be categorized so rigidly.
  • Supporting the loosely based tribe: Laura Jane Grace fronts the pop-punk band Against Me!, and she, like your hostess, has gone through gender transition. (I don’t talk about this much on the radio because 1) Many listeners are friends who know my story already; and 2) It often has no bearing on what I play.) But her transition has been a little harder than mine in two regards: 1) She’s the singer for a nationally known band; and 2) She came out in Florida, that clusterfuck of radical right-wing gooberism and intolerance. Anyway, she released a free download online of her new single, “True Trans Soul Rebel,” so that triggered a set.
  • “Mi Sento Felice”: The Box Tops in Italian! From 1969, set to “Cry Like a Baby.” The only American recording I’ve seen that includes it is Rhino’s Best of The Box Tops compilation LP in the early ’80s. And now you’ve heard it — or can if you click the link to the second hour …
  • “Long Blond Hair”: Bookended my final set with two versions of this rockabilly classic (which I used to sing occasionally with New Haven rockabilly trio Gone Native in the ’90s). The opener was a 1997 version by an artsy, atmospheric Los Angeles combo called The Hyperions, from their album Howl. Saw them play this at the Continental Club in Austin when I was at South X Southwest in ’98. The latter was Johnny Powers’ 1957 original. (Powers was a Detroit native who was the only artist ever signed to both Sun and Motown, and the first male artist signed to Motown. And he did the foot stompin’ on The Supremes’ “Baby Love.”)

Okay, that’s enough. Off to have an iced tea. Please drop in live or in the archives. And tell your friends — we’ve got a thing going on. Ciao …

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Cygnus Radio Playlist 5/31/13: A childhood regression of sorts

June 3, 2013
Dom-in-i-nique-a-nique-a-nique-a ...

Dom-i-nique-a-nique-a-nique-a …

June 3, 2013

Franorama 2.0 airs live from 10 a.m.-1 p.m. EDT Fridays (7-10 a.m. PDT, 2-5 p.m. GMT) on Cygnus Radio, and in the archives in perpetuity. For the link this all all other previous shows, click here.

I had never done this before: recaptured my childhood in the context of a radio show. But that’s what I did last Friday: rounded up every single song I remembered from the radio from my toddler years in Brooklyn in the early-to-mid-’60s (yep, I lived in Greenpoint 40 years before it was hip) and played them at the top of the 11 a.m. hour. (That would be the third set in the playlist below.)

My folks listened to WMCA, now a right-ring talk station but then a top-40 station, home of The Good Guys, with Joe O’Brien as the morning-drive host (accompanied by an obnixious occasional “sidekick” named Benny, who would burst out with “Hey! O’Brien!”). That’s what we listened to until we moved to Connecticut in the fall of ’65.

My folks gravitated to the old-folks’ stuff, but of course, MCA, and their Good Guys, were the ones who broke The Beatles to the masses in NYC when I was 2 1/2. So I got some Beatles, but also a lot of other diverse sounds. Maybe that’s why I’ve always had diverse musical tastes, which is why you see The Singing Nun and Louis Armstrong and the robotic novelty hit “Mechanical Man” among the set list.

The lights are much brighter there ...

The lights are much brighter there …

But my favorite song from childhood was from a pretty English singer named Petula Clark, singing about a mythical place called “Downtown.” Except I lived just across the Queens-Midtown Tunnel from midtown Manhattan,and there really was a Downtown, and, as she painted it for me, it sounded like this wonderful place full of life and activity. And there was one evening when we visited my mom’s cousin in Chelsea. It was my first time through the tunnel, all gleaming yellow brick, and when we exited among the dark gray clouds above, I remember shouting “Go downtown, Daddy! Go downtown!” And, of course, to my thrill, he did.

But yeah, all that probably had something to do with this deejay’s musical tastes.

Anyway, other random items from this past show: The chicken or the egg — did Little Richard begat Esquerita or vice versa? Played them back-to-back … Sister Sledge’s original 1973 version of “Mama Never Told Me,” redone in the early ’80s by Paul Weller protege Tracie Young with The Questions, and Boffalongo’s original 1970 recording of “Dancing in the Moonlight” … the first time I played a mashup — a tasty mix of Stevie Wonder singing “Uptight” over the remix of The Clash’s “Rock the Casbah” … and recent releases by The Outta Sites (whose frontman, Chris “Sugarballs” Sprague, come to Cafe Nine on Monday (June 10) playing drums with Los Straitjackets; Texas singer/songwriter Eric Hisaw, who’ll play in Zoe Muth’s group when she comes to the Nine this Wednesday (June 5); Albany-based garage fiends The Mysteios; a couple things from the new She & Him album; an d a selection from a new country-laced EP by one of my favorite singers, Boston’s Jenny Dee (Jen D’Angora) & Several Men of Mystery.

I had so much fun that, what the hell, might as well do it again this Friday. Catch you then …

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