Posts Tagged ‘The Dictators’

Cygnus Radio Playlist 5/24/13: So many directions, so little time

May 28, 2013
The man, the myth, the legend, the Tiur de Force. With Brute Force after his show at Two Boots in Bridgeport, 5/23/13.

The man, the myth, the legend, the Tour de Force. With Brute Force after his show at Two Boots in Bridgeport, 5/23/13. Bethany Appleby photo.

Franorama 2.0 airs live Fridays from 10 a.m.-1 p.m. EDT (7-10 a.m. PDT, 2-5 p.m. GMT) on Cygnus Radio, and in the archives in perpetuity. For the archived links to this and all other shows, click here.

I came into this latest episode of Franorama 2.0 with a lot of enthusiasm and a lot of territory to cover in three hours.

I was coming off a show where my audience quadrupled, thanks to a mention on iTunes as a must-listen. I was also coming off a very active week musically:

The death of Ray Manzarek that Monday. It’s one thing to play The Doors everyone does it. (And rightfully so; Ray’s keyboard playing stands up there along with Felix Cavaliere and Al Kooper as the best of the ’60s.) But there was more. In addition to the three obligatory Doors songs (my favorite, “Soul Kitchen”; “Peace Frog,” because you can’t live in or near New Haven without a little blood in the streets in the town of New Haven; and “Light My Fire,” a classic use or organ in a rock song), I played two 1965 songs from his pre-Doors band, Rick & the Ravens, and two songs from X’s first album, Los Angeles, which he produced.

Brute Force the night before in Bridgeport. Back in the late ’80s, an old friend let me borrow his copy of the damndest album in the history of Columbia Records: the 1967 release I, Brute Force: Confections of Love. Well-measured abdurdity of a time and place. Anyway, Mr, Force — who later recorded for Apple, having been championed by George Harrison and John Lennon, no strangers to absurd humor — is still plying his musical trade, and in an I-never-thought-I’d-see-the-day moment, he and his eyebrows and his band (including his daughter, Lilah, on backing vocals) came to Two Boots Pizza in downtown Bridgeport the night before the show. the audience was way too small (about 15) but enthusiastic. And rightfully so.

Bob Dylan’s 72nd birthday. I was kinda Bobbed out, having played three hours of him the previous day as part of a WPKN fundraiser. But since it was his actual birthday, I couldn’t let it slide. So I didn’t. Bob got a set of tunes from you actually could understand what he was singing.

She & Him. The new third album by She & Him, cleverly titled Volume 3, is out, and Zooey Deschanel and M. Ward raised the bar here, a difficult task since Volume Two was such a gem. Played three killer originals, plus a mini-battle of the bands: three songs remade by Zooey and M., alongside the original versions. The real revelation was “Baby,” a rare side of vinyl from 1965 by someone much better known for her songwriting, Ellie Greenwich. She wrote the song with her then-husband/songwriting partner, Jeff Barry, and the recently deceased Shadow Morton, the man who shaped The Shangri-Las’ sound. Both versions here were excellent, but Ellie’s was a revelation.

New sounds: I’ve been soliciting new sounds from musicians all across my Facebook spectrum. And musicians have been responding, and I played two new-to-me performers on the show for the first time last Friday. From Albany, N.Y., came The Mysteios, latter-day garage featuring Johnny Mystery on guitar and his daughter, Tambourine Girl, on vocals. They’ve been getting play on the Underground Garage channel on Sirius XM, and I’m glad to have them aboard this show as well. From Austin, Texas, came the reflective sounds of singer/songwriter Eric Hisaw, who’ll be coming this way for the first time, playing at Cane Nine in New Haven June 5.

Anyway, the only downer was that the audience was back to its original numbers last week; the bounce the week before didn’t hold. Hoping the algorithms line up again at some point and that I end up on iTunes’ radar again and get a huge chunk of new listeners, and that they’ll stick around.

Anyway, if you like what you hear, listen on Fridays or click on the archives and tune in at your leisure. Also, please like my Facebook page and get your friends to do the same. And if you’re a musician who wants to get played on my show, go to my Facebook page and message me, and I’ll send you my snail and email addresses. Anyway, let’s do this again this Friday:

(more…)

Advertisements

Cygnus Radio and WPKN playlists, 5/17/13: I got (algo)rithm

May 20, 2013
Ernie Banks was right -- it was a wonderful day to play two.

Ernie Banks was right — it was a wonderful day to play two.

For the links to this and all other Franorama 2.0 shows on Cygnus Radio, click here. For the link to this episode of Franorama 2.0 on WPKN, click here. Franorama 2.0 can be heard live on Cygnus Radio from 10 a.m.-1 p.m. EDT (7-10 a.m. PDT) Fridays; WPKN shows are on a fill-in basis for now; keep posted on the station’s Facebook page.

Well, this past Friday, for the first time, I did radio shows on two different stations on the same day — the Franorama 2.0 Double-Duty Day-Night Doubleheader. First, my regular 10 a.m.-1 p.m. shift from the comfort of home on Cygnus Radio, then down to Bridgeport for a 4-7 p.m. fill-in on WPKN. Howard Thompson, the host of the regularly scheduled show, Pure — and a longtime big-label record executive — trusted my musical tastes (thanks for the endorsement), to let me take the reins.

Anyway, it was exhausting but fun. I think I swept both ends of the doubleheader. And the day wasn’t just fun, it left me feeling a little optimistic at a time when I desperately need optimism.

The Cygnus show, now on the air three months, is still a fledging show on an upstart station, and understandably, the audience is small for now. But a funny thing happened just past the first half hour — the number of listeners jumped 2 1/2 times, then it tripled, and withing five minutes, it had quadrupled. (I have the analytics right there on the screen as I play.) And I kept about two-thirds of that audience for the rest of the show.

This had to be a glitch, right? A spam attack or something? An undigested bit of beef, a blot of mustard, a crumb of cheese? Well, no. I texted our fearless leader, Gary Gone, to ask about this, and he explained: However the Apple algorithems work — and who knows how these damn things work? — someone at iTunes apparently labeled my show as a must-listen, which prompted huge the jump in listeners all of a sudden.

Coolness! I’m hoping this is the door opening just a crack enough for the flood to start rushing in. I need something to happen! I’m hoping the people who came and stayed will tell their friends, who, in turn, will tell their friends, et cetera, et cetera, et cetera …

Anyway, a couple musical highlights of the day:

The Outta Sites (both shows): Chris “Sugarballs” Sprague, who made a sideways appearance in a blog post here a couple weeks ago, is one of the hardest-working musicians I know: longtime drummer/second guitarist for

Chris Sprague (second from left) fronting The Outta Sites.

Chris Sprague (second from left) fronting The Outta Sites.

Deke Dickerson … has been playing drums for Big Sandy & His Fly-Rite Boys (who came to Cafe Nine in New Haven the previous weekend) … behind the kit for Los Straitjackets (who come to Cafe Nine June 10) … and now, he fronts his own band, The Outta Sites. Their newly released debut album, Up All Night, is a killer. Think one part Dave Clark Five, one part That Thing You Do, one part Nuggets and Pebbles collections, throw in the atmosphere of the mid-’60s L.A. club scene, and you get the picture.

Jonathan Richman and The Velvet Underground (WPKN): An old friend, Lauren, who lives and works around Hartford, messaged me on the Book of Faces the night before to ask if I could play the Velvets. I started, at long last, pulling boxes of CDs from my storage space to rip into this laptop that serves as my radio station and traveling music library. But I haven’t found my Velvets box set yet. Anyway, I did find one VU song, but not until after I steered her to Jonathan Richman, the onetime VU groupie, singing “Velvet Underground” … and one of our mutual faves, “Double Chocolate Malted” (No nuts! No nuts!), and, for good measure, The Groovie Ghoulies playing a Jonathan song.

Well, that’s enough for now. Back to a single Cygnus shift this Friday, leading into the holiday weekend. Please drop in and give a listen. And if you like what you hear, tell your friends, and tell your friends to tell their friends. And “like” my Franorama 2.0/Franorama World Facebook page. And if you’re so inclined to help out financially, there’s a PayPal button at the end of each blog post.  Anyway, catch you this Friday!

(more…)

25 Songs for Norton’s 25th (and then some)

November 20, 2011

Well, this was supposed to have come out on 11/11/11, but steady work (not complaining about that, mind you) and the urgent search for a car precluded me doing pretty much anything else — including finishing off this tribute.

I can tell you that there are some people last weekend for whom the double-sticks weren’t the day’s lucky number. It was 25. As in a quarter-century of tear-em-down musical madness foisted upon the world — with a few extras years tacked on before that for bad behavior — by the fine folks at the coolest archival record label in the universe: Norton Records.

This was to have come out last weekend in the midst of the social event of the decade — the sold-out-for-months, four-night 25th-anniversary celebration at the Bell House in Brooklyn. Lots of great musicians showed up.

Anyway, I figured I’d honor this momentous occasion in my own special way. So here you go: 25 songs for 25 years — with triple awarded for damages.

(more…)