Posts Tagged ‘The Intruders’

Cygnus Radio playlist 7/12/13: The Fleshtones and the American Beat

July 16, 2013
The Fleshtones in action -- they're never at rest -- this past Saturday at Sailfest, at the Hygienic Art Park in New London, CT. From left: Ken Fox, Peter Zaremba, Bill Milhizer and Keith Streng.

The Fleshtones in action — on stage, they’re never at rest  — this past Saturday (July 13) at Sailfest, at the Hygienic Art Park in New London, CT. From left: Ken Fox, Peter Zaremba, Bill Milhizer and Keith Streng.

Franorama 2.0 airs live every Friday from 10 a.m.-1 p.m. EDT (9-noon CDT, 7-10 a.m. PDT, 2-5 p.m. GMT) on Cygnus Radio, and in the archives in semi-perpetuity. For the link to the archived shows, click here.

“The Fantastic Johnny C! Freddy “Boom Boom” Cannon! The incredible James Brown! Roy Brown! Chuck Brown! The Reverend Richard Penniman! Elvis Presley and all the kings of rock’n’roll. Lou Costello! The Intruders! The Illusions! Eddie Cochran, Buddy Holly! The Dell-Vikings, Del Fuegos, Del Shannon, MC5. The Velvets! The Stooges! Louie Jordan, Rosco Gordon! The Raiders and the Wailers and The Kingsmen and The Sonics. Phast Phreddie, The Last! The Unclaimed, The Plimsouls! The Lyres and The Real Kids. The Modern Lovers! Alan Vega, Los Lobos, The Gentrys, The Dantes and The Headhunters, too. Mitch Ryder! Ritchie Valens! The Osmonds! Parliament and The Jackson 5. The Rivingtons! Donna Summer! Martha Reeves! Richard Berry! Berry Gordy! Hoo — Chuck Berry! LouieLouieLouieLouieLouieLouieLoueeeee! Come on, Louie! LouieLouieLouieeee!”

The above roll call comes at the tail end of the Franorama 2.0 national anthem — the song I use to open nearly every show, be it on Cygnus Radio online or WPKN in Bridgeport — “American Beat ’84” by my eternal favorite band, Brooklyn’s uncrowned kings of pop and soul since 1976, The Fleshtones. A re-recording of their very first single, from 1978, it ran in the end-title credits of Tom Hanks’ first starring feature, Bachelor Party (where he shared marquee time with the illustrious Adrian Zmed and Tawny Kitaen).

Peter taking his chances out in the crowd.

Peter taking his chances out in the crowd.

And in this re-done version. Peter Zaremba, the group’s kinetic frontman, honored some of the people who’ve shaped rock and soul — both familiar and unfamiliar names.

And since they were playing in Connecticut for the first time since my move home last August — this last Saturday (July 13) as part of New London’s annual Sailfest, and playing in the prime pre- and post-fireworks slot once held by The Reducers, I devoted the whole show to them. And, in particular, the American Beat. Took me more than 20 years to finally do this show, based on the roll call. I’m not the first person who’s done this, but hey — it doesn’t happen very often. And I had more fun than a barrel of people.

Keith impersonates Black Sabbath's "Paranoid" album cover.

Keith impersonates Black Sabbath’s “Paranoid” album cover.

Anyway, by the time I put together all the songs for the roll call, I realized, “Holy shit! I have over three hours of music for a three-hour show! And no Fleshtones!” So I texted Gary Gone, the head G of this Cygnus operation, seeing if he minded if I go over an extra hour; he was fine with it — after all, there were four hours until D.J. Lotto’s Happy Hour show, and I draw (hopefully) better ratings than the autobot that runs during the dead-air times — so all’s well that ends well.

And their show Saturday night was as fun and energetic as I’ve seen them in years. They were firing on all cylinders. I’ve seen both good and bad shows over nearly 30 years, and this was one of the good ones. The Fleshtones are the most fun you can have on a Saturday night without a prescription, and this show was proof.

Keith and Eddie Munoz during The Split Squad's opening set.

Keith and Eddie Munoz during The Split Squad’s opening set.

And the opening act was a revelation. ‘Shtones guitarist Keith Streng also plays in The Split Squad, all of whom have other jobs. Surrounding singer/bassist Michael Giblin (of The Parallax Project) are Keith and Eddie Munoz of Plimsouls fame on guitar, organist Josh Kantor of The Baseball Project and Fenway Park, and, normally on drums, Clem Burke. But since Clem was away with some other band he plays with (Blondie), pinch-drumming was Linda Pitmon, also of The Baseball Project and, with husband Steve Wynn, The Miracle 3. Lots of unexpected fun.

Anyway, back to “American Beat.” Some notes for the uninitiated:

Peter gave a quick mention to “all the kings of rock’n’roll,” so I took artistic license to conjure as many American Kings as I could muster … Thee Precisions were Phast Phreddie’s band — longtime L.A. scenester Phast Phreddie Patterson … The Unclaimed was an L.A. garage band  from the late ’70s/early ’80s, best known for being Sid Griffin’s first band, before The Long Ryders … Alan Vega was half (with Martin Rev) of minimalist no-wave duo Suicide in the late ’70s/early ’80s … The Gentrys, of “Keep on Damcing” fame, included future famed pro wrestling “manager” Jimmy Hart … The Dantes were a garage band from Ohio whose breakout single from 1964, “Can’t Get Enough of Your Love,” was covered by The Fleshtones in the mid-to-late ’80s … Motown mogul Berry Gordy, of course, was never a recording artist, and Motown was represented already, so I included his first big claim to fame — as co-writer of “Lonely Teardrops” for his Detroit friend Jackie Wilson.

Well, that’s all. No themes planned for this Friday’s show. But I guarantee a fun time. So tune in while you work, tell your friends and, if you haven’t done so yet, please “like” my Facebook radio/blog page. I want this show, and this station, to blow up bigtime. Have fun — I know I did.

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Cygnus Radio playlist 5/10/13: Mr. Jones, smooth sailing and ‘Stormy Weather’

May 11, 2013
Blake Jones was on top of the world this week.

Blake Jones, on top in this photo and on top of the world this week.

For the archive links for this and all my Franorama 2.0 shows on Cygnus Radio, click here. The show airs live from 10 a.m.-1 p.m. EDT (7-10 a.m. PDT, 2-5 p.m. GMT) Fridays.

With each week, I’m more psyched about this online radio thing.

In terms of technical matters, this latest edition of Franorama 2.0 on Cygnus Radio was the best and smoothest yet in my nearly three short months there. No glitches — the software and the mic/headset were both on their best behavior, and the voice levels were perfect. (Laptop radio is, indeed, a different world than terrestrial radio, with its higher-end equipment …)

Musically, it was smooth sailing, too. I finally started, after nine months home, plowing into my storage bin and pulling CDs to rip into this here laptop/station. The little things mean a lot. In this case: getting comfortable with processing the thousands of songs through my computer music files instead of manually rifling through records and CD cases, as in days of old. I think I’m finally there. Like everything, it takes a little time, and the more I do it, and the more I access my files, the more I remember what I have … and the more angles I can bounce into my shows. Garage meets soul meets rockabilly/roots meets country meets punk meets … the Great American Songbook.

To start the final hour, I featured a set to celebrate the 50th birthday of one of my favorite people — and one of the best pop songwriters you might never have heard — the first non-Fresno Bee person I met in Fresno in 2004, Blake Jones. This comes in advance of his new EP, Teasers from the Whispermaphone, which should be out any day now.

The only thing that came close to a glitch, but ended up being a happy accident, came right at the end of the show. Curse that social media …

Still dead, unfortunately.

Still dead, unfortunately.

I usually keep up with things on my Facebook page as I do the show just in case some news breaks (like the death of George Jones two weeks prior). In this case, a few minutes before the end, someone, or someones, posted links to Lena Horne’s obituary. I read it, saw that she had died May 9 — which would have been the day before the show — and quickly shared the post and subbed out my final song, Dave Edmunds’ version of John Fogerty’s “Almost Saturday Night,” for “Stormy Weather.”

Not realizing that she died May 9 three years ago. Something that somehow slipped past me at the time. Since she’s ageless, it wasn’t a bad choice to close the show, but still … Damn that social media!

Anyway, what is encouraging is that musicians are starting to respond to the show and send their latest recordings for airplay — just like old times. This week, Ed Valauskas, onetime New Haven scenester (with The Gravel Pit) and longtime Boston fixture, sent two new offerings from his Q Division studio — The new album by Christian McNeill & Sea Monsters, Everything’s Up for Grabs, and the new country EP by Ed’s wife, Jen D’Angora (of Jenny Dee & the Deelinquents fame), under the name Jenny Dee & Several Men of Mystery.

Anyway, if you’re a musician who wants to get some airplay here — if I like it, I’ll play it. Message me here or on my Facebook page — and I’ll send you my address. And come back and join me next week — there’s always room for you here in the studio!

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